Darkness on the Edge of TownAufgenommen im Juni 1977 bis März 1978 in den Atlantic Studios, Record Plant Studios, New York, N.Y.
Veröffentlicht am 06. Juni 1978
Billboard Top Ten - Platz 5. erreicht am 17. Juni 1978
Mitwirkende Künstler: Bruce Springsteen - Gitarre, Gesang, Harmonika, Bass
Roy Bittan - Keyboards
Clarence Clemons - Saxophon, Gesang
Garry Tallent - Bass, Horn
Danny Federici - Keyboards, Gesang
Steven van Zandt - Gitarre, Gesang
Max Weinberg - Drums
Suki Lahav - Violine (Born to Run)
Ernest Carter - Schlagzeug (Born to Run)
Michael Brecker - Saxophon
Randy Brecker - Trompete
Produktion: Jimmy Iovine - Tonmeister
Greg Calbi - Mastering
Bob Ludwig - Re-Mastering
Eric Meola - Coverfoto
John Berg - Cover Designer
Tracklist: Badlands
Adam Raised a Cain
Something in the Night
Candy's Room
Racing in the Street
The Promised Land
Factory
Streets of Fire
Prove it All Night
Darkness on the Edge of Town
Infos:Nach seiner Trennung von Manager Mike Appel ging Bruce Springsteen im Juni 1977 mit neuem Material ins Studio um sein viertes Album aufzunehmen. Sein neuer Manager wurde Jon Landau.
Der erste eingespielte Song hiess "Sherry Darling". Doch der Song fand erst auf "The River" seine Erstveröffentlichung.
Insgesamt hatte Bruce über 100 verschiedene Songs zur Auswahl. "All Night Long", "Bring on the Night", "Don't look Back", "Endless Night", "Give the Girl a Kiss" wurden nicht veröffentlicht.
Weitere Songs, die für "Darkness on the Edge of Town" eingespielt wurden: - Hearts of Stone
- Iceman
- So Young and in Love
- The Promise
- Taxi Cab
- Preacher's Daughter
- The Way
- I'm Goin' Back
- Break Out
- Renezvous
- Spanish Eyes
- Because the Night
- What's the matter little Darling
- One Way Street
- Get that Feeling
- Crazy Rocker
- Down by the River
- Frankie
- Fire
- Independende Day
- Sherry Darling
- Drive all Night
- Ramrod
- Don't Say No
- I wanna be with you
- Outside Lookin' In
- Castaway
- Someday Tonight
- Talk to Me
- Broken Hearted
- Action in the Streets
- Come on, Come on
- Paradise by the C
- Love on the Wrong Side of Town
- Little Girl so Fine
- Trapped Again
"Darkness on the Edge of Town" erreichte Platz 5 in den amerikanischen Billboard Charts. Die veröffentlichten Singles "Prove it all Night" und "Badlands" landeten auf Position 33 bzw. 42 der Billboard Single Charts.
Ursprünglich sollte das Album den Titel "American Madness" tragen, nach einem Film von Frank Capra aus dem Jahre 1932.
Jon Landaus Kritik:Bruce had no interest in whether there was anything he could call a single. He was totally committed to making a record that was true to his own feelings. When you consider he had, but didn't use, songs like Fire and Because the Night, you've got to assume he didn't really want Darkness to be a big record. If success was what is was like with Born to Run, Bruce didn't want that. He didn't want one song that could be taken out of context and interfere with what he wanted to album to represent.
Kritik aus dem Rolling Stone Magazin:For his fourth record, Bruce Springsteen cut off his beard - and also shaved the shaggy romantic epics of Born to Run. What emerged were ten taut rock songs about people crushed by family, by lust, by living in this world every day. (He was so focused on the theme of living with broken dreams, he left off "Fire" and "Because the Night," which became hit singles for the Pointer Sisters and Patti Smith, respectively.) Despite its lyrical weight and dour title, Darkness on the Edge of Town is not a bleak record. Its characters are groping toward redemption: "I believe in the hope that can save me," Springsteen sings on "Badlands." The narrator of "Racing in the Street" may never find the absolution he seeks by winning small-time drag races, but his vision of a better life is what keeps him driving and what keeps him alive.
The album isn't punk - Springsteen got a shave, not a mohawk - but it's colored by the raw sound happening in rock at the time. The E Street Band members play each song like it's their last chance to make music before their hands get cut off. Max Weinberg drums with particular passion, anchoring the record that stands as the E Street's best.
More than half the songs make some reference to driving, from streets of fire to the dusty road from Monroe to Angeline. But while Bob Dylan had Highway 61 and AC/DC had a highway to hell, Springsteen knew that the highway went everywhere: heaven, hell and the world men make for themselves.